Great Sanskrit Poet – Mahakavi Kalidasa


If one hopes to travel the globe, delve deeply into the psyche of fellow human beings and derive an understanding of history, tradition, culture and civilization one lifetime will prove to be insufficient. Yet if one seeks the solution in the world of literature one is seldom disappointed for literature holds a mirror to life.

II Kavyeshu natakam ramyam, tatra ramya Shakuntala

Tatrapi chaturthaha ankaha tatra shlokaha chatushtayam. II

Drama is the most charming form of literature. Shakuntala is the most charming play. The fourth act of the play happens to be the best while the fourth shloka takes the cake.

Those of you who are familiar with the lines will realise that I am speaking of our greatest poet Mahakavi Kalidasa who is also toted as Kavi Kula Guru. The high praise allocated to the fourth stanza of the fourth act of the play lies in the fact that Kalidasa was subtly breaking news to Kanva maharishi about the pregnancy of his adopted daughter Shakuntala. She had married king Dushyanta in the Gandharva style during his absence. Kanva is informed of the same through an invisible aerial voice. The ability to tactfully render sensitive information about an unconventional situation to a person who was detached from family life forms the climax of the play. The story culminates with the union of the estranged couple after a dramatic course of events. Kalidasa manages to do the needful aesthetically through a mere couplet. This is perhaps one of the reasons why he is considered to be the greatest litterateurs of all times. One Subhashita says,

 

II Pura kaveenaam gananaa prasange kanishtika adhish titha Kalidasa

Adhyaapi tat tulya kavehe abhavaath anaamika sa arthavathi babhoova II

“Once upon a time when great poets were counted, the little finger was raised first and the name of Kalidasa was counted. The ring finger which is the next in sequence is called anaamika which means nameless in the Sanskrit language. It remains in the same nameless status to this day, because there is not another poet who has measured up to the greatest poet, namely Kalidasa”.

Though Kalidasa’s play Abhijnana Shakuntalam has been evaluated as his magnum opus by Von Goethe the greatest poet of Germany who was also his sincere critic and fan, one cannot really discount the other works of the great poet. In his play Malavikagnimitram, Kalidasa chronicled portions of contemporary history by giving an account of the political relationship between the ancient countries of Vidisha and Vidarbha by weaving a romantic theme. The twice married king Agnimitra of Vidisha falls in love with the princess of Vidarbha called Malavika by merely looking at her portrait. Later on Malavika happens to enter his principal wife Dharini’s entourage. Then, over a course of events punctuated with steady humour the affair is solemnized into a marriage of love and political convenience.

Kalidasa’s other popular play is Vikramorvashiyam. It is believed to celebrate his contemporary Gupta king Vikramaditya. The poet improvises on a love story found in the Puranas between the mortal king Pururavas and the celestial nymph Urvashi. Gods, demigods and mortals who populate the story with a romantic theme not only captures varied human emotions but also acts as a guidebook to the flora and fauna in the Himalayan slopes.

Besides being a playwright, he authored two of the most brilliant Mahakavyas or epic poems Raghuvamsham and KumaraSambhavam. In Raghuvamsham the Mahakavi traces the lives, times and values of the kings of the solar dynasty over nineteen cantos. It begins with Vivaswat, Manu, Dilipa, Raghu, Aja, Dasharatha, Rama, Kusha et al all the way up to Agnivarna through magnificent couplets.

Kumara Sambhavam revolves round the life of lord Shiva, who went on to become a recluse after his beloved wife Dakshayini jumped into the sacrificial fire unable to digest the insults heaped on her by her father. Dakshayini reincarnates as Parvathi at the behest of the Gods. She woos Shiva and begets a son who kills Tarakasura who was terrorizing the three worlds. Kalidasa indulges in some of his very best word painting in this epic poem.

Kalidasa was an all-rounder in the world of literature. Historians believe that he must have authored at least forty works in the areas of poetry, drama, criticism and commentary. Meghadutam, Ritusamharam, Kali Stotram, Shyamala Dandakam, Chandikadandaka stotra, Kavya nataka alankaram among others, happen to be a few of his works that are available today.

The number of influences, adaptations and improvisations of classical literature is omnipresent in the works of the Mahakavi. The content of Kalidasa’s works have been invariably sourced from Vedas, Puranas and the epics Ramayana and Mahabharata. Yet one cannot accuse him of plagiarism because he uses the broad framework and storyline from the original and lends his own special touch to his works by taking ample poetic liberty. He mellowed and molded his characters in such a way that they appealed to ones finer sensibilities and went on to become popular and set new standards. His readers and viewers prefer his version and interpretation of characters as compared to the original.

Kalidasa was unique and second to none in terms of style and presentation. In fact the phrase upama kalidasasya speaks in volumes about his ability to use apt similes to make a point. It is astonishing to note we know very little about Kalidasa who achieved great feats in every conceivable field of Sanskrit literature. Not much is known about him beyond his pen name. Kalidasa just means, the servant or a follower of goddess Kali which is but a common nomenclature. Folklore believes that Kalidasa was an unlettered shepherd who was tricked into marrying an erudite princess. When she discovered his ignorance, she bid him to claim her only after acquiring some basic education. Accordingly, Kalidasa prayed to goddess Kali vehemently and became enlightened with her blessings. History spans the date of Kalidasa over six centuries based on internal references in his works, historical and critical, and from inscriptions and edicts. It is obvious that any mortal could not have lived over six hundred years. Yet the fact remains that he must have lived sometime during this time bracket. His nativity is ambiguous though it is believed that he must have spent a lot of time in Ujjain because he gives a very detailed description of the place. Critics are divided about his patrons too. While some deem him to be one of the nine gems in the court of King Vikramaditya Gupta there are others who think Raja Bhoja patronised him. Stories about his death also vary from being a victim of jealousy of king Bhoja, to the greed of a courtesan who sheltered him.

Though there is abundant folk lore attached to the poet’s time, life and social status none of them are validated with evidence. Most things that we know about his life, place, date and works are sourced from later references, inscriptions and a deeper understanding of their works identified by their unique patterns. Western and modern historians and critics attribute this drawback to the sloppiness of Indians, who did not believe in documenting events or maintaining chronological records. Just about every detail of his life dwells in the realms of speculation.

Today Kalidasa and his works have been limited to academicians and their students. Most prescribed textbooks give limited and selective biographical information about Kalidasa who was an author, poet, dramatist and critic. A student or reader of the Mahakavi has to realise that there is more to it than what meets the eye. The person may be very different from the persona. Hence it will be in the best interests of the literary works not to judge them at the elementary stage of reading. One would do well to read all the possible works of the writer and then read about the person. This measure will help students and the reader to draw a holistic and mature opinion of the litterateur instead of being led by the nose.

We must realise that Indian achievers of the past were sensible and self-effacing people who maintained a low profile. Kalidasa must have belonged to this group of accomplished people with sterling qualities, who dedicated his works to the immediate society he lived in. The fact that his works have stood the test of time and has been translated into many languages of the world and the people world over want to know more about him speaks in volumes of his caliber both at the personal and professional levels.

A connoisseur of art and literature is called a rasika in Sanskrit. It is said that a consistent rasika can turn into a sahridaya or a good hearted person over a period of time. A passionate student of Kalidasa will find that he or she who begins savouring the rasas which are a combination of thoughts feelings and emotions becomes a rasika and has actually signed up for a lifelong rendezvous with the subject. Reading will help them introspect, relate and act to make a difference to the world they live in the capacity of a sahridaya!

If one hopes to travel the globe, delve deeply into the psyche of fellow human beings and derive an understanding of history, tradition, culture and civilization one lifetime will prove to be insufficient. Yet if one seeks the solution in the world of literature one is seldom disappointed for literature holds a mirror to life.

II Kavyeshu natakam ramyam, tatra ramya Shakuntala

Tatrapi chaturthaha ankaha tatra shlokaha chatushtayam. II

Drama is the most charming form of literature. Shakuntala is the most charming play. The fourth act of the play happens to be the best while the fourth shloka takes the cake.

Those of you who are familiar with the lines will realise that I am speaking of our greatest poet Mahakavi Kalidasa who is also toted as Kavi Kula Guru. The high praise allocated to the fourth stanza of the fourth act of the play lies in the fact that Kalidasa was subtly breaking news to Kanva maharishi about the pregnancy of his adopted daughter Shakuntala. She had married king Dushyanta in the Gandharva style during his absence. Kanva is informed of the same through an invisible aerial voice. The ability to tactfully render sensitive information about an unconventional situation to a person who was detached from family life forms the climax of the play. The story culminates with the union of the estranged couple after a dramatic course of events. Kalidasa manages to do the needful aesthetically through a mere couplet. This is perhaps one of the reasons why he is considered to be the greatest litterateurs of all times. One Subhashita says,

 

II Pura kaveenaam gananaa prasange kanishtika adhish titha Kalidasa

Adhyaapi tat tulya kavehe abhavaath anaamika sa arthavathi babhoova II

“Once upon a time when great poets were counted, the little finger was raised first and the name of Kalidasa was counted. The ring finger which is the next in sequence is called anaamika which means nameless in the Sanskrit language. It remains in the same nameless status to this day, because there is not another poet who has measured up to the greatest poet, namely Kalidasa”.

Though Kalidasa’s play Abhijnana Shakuntalam has been evaluated as his magnum opus by Von Goethe the greatest poet of Germany who was also his sincere critic and fan, one cannot really discount the other works of the great poet. In his play Malavikagnimitram, Kalidasa chronicled portions of contemporary history by giving an account of the political relationship between the ancient countries of Vidisha and Vidarbha by weaving a romantic theme. The twice married king Agnimitra of Vidisha falls in love with the princess of Vidarbha called Malavika by merely looking at her portrait. Later on Malavika happens to enter his principal wife Dharini’s entourage. Then, over a course of events punctuated with steady humour the affair is solemnized into a marriage of love and political convenience.

Kalidasa’s other popular play is Vikramorvashiyam. It is believed to celebrate his contemporary Gupta king Vikramaditya. The poet improvises on a love story found in the Puranas between the mortal king Pururavas and the celestial nymph Urvashi. Gods, demigods and mortals who populate the story with a romantic theme not only captures varied human emotions but also acts as a guidebook to the flora and fauna in the Himalayan slopes.

Besides being a playwright, he authored two of the most brilliant Mahakavyas or epic poems Raghuvamsham and KumaraSambhavam. In Raghuvamsham the Mahakavi traces the lives, times and values of the kings of the solar dynasty over nineteen cantos. It begins with Vivaswat, Manu, Dilipa, Raghu, Aja, Dasharatha, Rama, Kusha et al all the way up to Agnivarna through magnificent couplets.

Kumara Sambhavam revolves round the life of lord Shiva, who went on to become a recluse after his beloved wife Dakshayini jumped into the sacrificial fire unable to digest the insults heaped on her by her father. Dakshayini reincarnates as Parvathi at the behest of the Gods. She woos Shiva and begets a son who kills Tarakasura who was terrorizing the three worlds. Kalidasa indulges in some of his very best word painting in this epic poem.

Kalidasa was an all-rounder in the world of literature. Historians believe that he must have authored at least forty works in the areas of poetry, drama, criticism and commentary. Meghadutam, Ritusamharam, Kali Stotram, Shyamala Dandakam, Chandikadandaka stotra, Kavya nataka alankaram among others, happen to be a few of his works that are available today.

The number of influences, adaptations and improvisations of classical literature is omnipresent in the works of the Mahakavi. The content of Kalidasa’s works have been invariably sourced from Vedas, Puranas and the epics Ramayana and Mahabharata. Yet one cannot accuse him of plagiarism because he uses the broad framework and storyline from the original and lends his own special touch to his works by taking ample poetic liberty. He mellowed and molded his characters in such a way that they appealed to ones finer sensibilities and went on to become popular and set new standards. His readers and viewers prefer his version and interpretation of characters as compared to the original.

Kalidasa was unique and second to none in terms of style and presentation. In fact the phrase upama kalidasasya speaks in volumes about his ability to use apt similes to make a point. It is astonishing to note we know very little about Kalidasa who achieved great feats in every conceivable field of Sanskrit literature. Not much is known about him beyond his pen name. Kalidasa just means, the servant or a follower of goddess Kali which is but a common nomenclature. Folklore believes that Kalidasa was an unlettered shepherd who was tricked into marrying an erudite princess. When she discovered his ignorance, she bid him to claim her only after acquiring some basic education. Accordingly, Kalidasa prayed to goddess Kali vehemently and became enlightened with her blessings. History spans the date of Kalidasa over six centuries based on internal references in his works, historical and critical, and from inscriptions and edicts. It is obvious that any mortal could not have lived over six hundred years. Yet the fact remains that he must have lived sometime during this time bracket. His nativity is ambiguous though it is believed that he must have spent a lot of time in Ujjain because he gives a very detailed description of the place. Critics are divided about his patrons too. While some deem him to be one of the nine gems in the court of King Vikramaditya Gupta there are others who think Raja Bhoja patronised him. Stories about his death also vary from being a victim of jealousy of king Bhoja, to the greed of a courtesan who sheltered him.

Though there is abundant folk lore attached to the poet’s time, life and social status none of them are validated with evidence. Most things that we know about his life, place, date and works are sourced from later references, inscriptions and a deeper understanding of their works identified by their unique patterns. Western and modern historians and critics attribute this drawback to the sloppiness of Indians, who did not believe in documenting events or maintaining chronological records. Just about every detail of his life dwells in the realms of speculation.

Today Kalidasa and his works have been limited to academicians and their students. Most prescribed textbooks give limited and selective biographical information about Kalidasa who was an author, poet, dramatist and critic. A student or reader of the Mahakavi has to realise that there is more to it than what meets the eye. The person may be very different from the persona. Hence it will be in the best interests of the literary works not to judge them at the elementary stage of reading. One would do well to read all the possible works of the writer and then read about the person. This measure will help students and the reader to draw a holistic and mature opinion of the litterateur instead of being led by the nose.

We must realise that Indian achievers of the past were sensible and self-effacing people who maintained a low profile. Kalidasa must have belonged to this group of accomplished people with sterling qualities, who dedicated his works to the immediate society he lived in. The fact that his works have stood the test of time and has been translated into many languages of the world and the people world over want to know more about him speaks in volumes of his caliber both at the personal and professional levels.

A connoisseur of art and literature is called a rasika in Sanskrit. It is said that a consistent rasika can turn into a sahridaya or a good hearted person over a period of time. A passionate student of Kalidasa will find that he or she who begins savouring the rasas which are a combination of thoughts feelings and emotions becomes a rasika and has actually signed up for a lifelong rendezvous with the subject. Reading will help them introspect, relate and act to make a difference to the world they live in the capacity of a sahridaya!

What is in a Name eh?


http://www.deccanherald.com/content/638300/whats-name-eh.html

I quite marvel and also agree with everything William Shakespeare penned with the exception of one celebrated line. I always have a feeling that if he had just about peeked into our subcontinent, he would have certainly refrained from making a grand statement about the redundancy of names. It is obvious he was innocent about our penchant for a thousand names for most of our deities. The less important gods and goddesses who did not merit the haloed Sahasranama were assigned at least a 108 names.

The abundant populace of our country, who wished not to be left behind, traditionally gave a minimum of two names and a maximum of five names to their wards. The wards are named after the personal favourites in the pantheon, the family god, elders in the family, role models and even movie stars — sometimes complete with their respective surnames. Then, parents come up with an official name based on the horoscope or numerology hoping to realise all their dreams from the child bearing the lucky name.

At the end of all this exercise, each member in the family and neighbourhood comes up with a tacky pet name for the infant which almost always sticks for a lifetime. As if these names were not enough, children always invariably attract nicknames through schooling and college life. The girls, mostly, take the surname of their husband post marriage and are often renamed after the nuptials to match their spouses name.

Such being the case, when the police come for verifying details given in the passport application form, nine on ten people whose names have been given as referral will have to be apprised about the “official name” or the quintessential “daak naam,” especially if you happen to be of Bengali or Oriya origin. Then there is the other category of people who create aliases for their creative works, social media and international work desks.

As if these were not enough, our birth certificate, mark sheet, PAN card, bank account, Aadhar card and other documents sometimes have variations of the official name, and we Indians know such anomalies are a part and parcel of our lives. In fact, there is an entrepreneurial money-spinning industry out there which helps people to correct personal  data in the documents that matter, so that they reflect uniformity!

But how was the Bard to know all this when he wrote, “What is in a name? A rose called by any other name would smell as sweet!”

Raising Our Daughters the Right Way


http://www.deccanherald.com/content/605191/raising-our-daughters-right-way.html

Bringing up: In a world full of judgements and suspicions, we have to raise our daughters with the correct set of values.

Under the wings...Under the wings…

Archana insisted on homeschooling her twin daughters as she had nightmares about admitting her children to the kindergarten in the metropolis soon after being bombarded by stories of lurking paedophiles around learning centres. Vandana gave up her lucrative job because she wanted to be at home when her daughter arrived home at noon. She had heard horrific stories of children being administered sleeping pills in their milk at daycare centres. Meera laughingly calls herself the designated chauffeur of her kids because she is always driving them in and out of one class or another.

Lakshmi opted for voluntary retirement just when it was her turn to get promoted, to ensure that she could fund her daughter’s dream to study abroad. Suma, a qualified lawyer, decided to be a stay-at-home mother because she believed in the dictum “Better safe than sorry” (All names have been changed to respect their identities.)

What these young and not-so-young mothers have done for the apples of their eyes, is not unusual. Each of these mothers and several tens and thousands of their kind have been doing more or less the same thing in various capacities. No, they are not cynical or paranoid, they are just being careful. With reason too. We live in a world which is riddled by multiple standards, inequalities in every aspect, uncertainties and incomprehensible expectations. Hence, leading a normal life believing in the intrinsic goodness of fellow human beings is out of the question.

Now is the time for us to rethink our parenting strategies, especially where it concerns the girl child. After all, parenting is called an art and not without reason. We must prepare our daughters to hope for the best but be prepared for the worst right from the moment they arrive in our lives. Here are a few areas that need
serious looking into:

Physical well-being
A taste for a nutritious balanced diet punctuated with some form of exercise should be introduced right from the beginning. When a healthy diet and a physical regime coupled with personal hygiene become a habit, immunity levels will soar, and keeping healthy will not prove to be a challenge. Teaching them martial arts or sports or simply involving them in everyday household chores will help them build stamina and can prove to be a boon in times of need.

Modesty & morality
Modesty and morality should not be mixed up. Remember, being prudish can cost them dearly. They must be taught the difference between good touch and bad touch. Girls should be taught not to be ashamed of their bodies or the changes they undergo. They should be encouraged to spell out their doubts and fears. It will do well to sensitise girls to the fact that the outside world will judge them by the clothes, accessories and the makeup they wear, though character cannot be determined by the length of their sleeves or necklines.

Subjects like virginity, rape, honour, domestic violence, honour killings need not be drawing room conversations, if it feels delicate. All the same, there is no point in sweeping the subjects under the carpet and looking the other way when they do crop up.

Using such topics as a launchpad to clear the cobwebs of a growing mind can go a long way in preventing girls from becoming judgmental. The knowledge will also cushion them to some extent, if they are unfortunate victims of such
circumstances.

Coping with new age trends
Many girls go through a phase in life when they get their facial or body parts pierced or tattooed, when they colour, curl or straighten their hair or undergo cosmetic surgery on a whim and regret it later.

Depriving permission outright may not go well with everyone. So, the stubborn ones can be encouraged to try the temporary option and then if they really care for the fashion, then they can be told to take the plunge.

Being feminine
Girls should be taught to appreciate and enjoy their feminine side. Since we live in a diabolical world, girls can be groomed to be soft-spoken and delicate damsels. So, they should be clearly told that they must not hesitate to protect themselves even if it means biting and kicking the molester on the face, or very simply amplifying their lung power.

Expanding the mind
Encourage your girls to have friends, go out and mingle. While dating or having a relationship is not wrong, they should also be taught when and where to draw the line and how to say no firmly when they feel uncomfortable. Writing a diary or pouring their concerns to an agony aunt can help them ease their tensions. Ask them to be careful about what they post and with whom they share on their social media sites, especially their pictures. With so much cyber crime going on, one can never be too careful.

Raising Our Daughters The Right Way


http://www.deccanherald.com/content/605191/raising-our-daughters-right-way.html

Bringing up: In a world full of judgements and suspicions, we have to raise our daughters with the correct set of values.

Under the wings...Under the wings…

Archana insisted on homeschooling her twin daughters as she had nightmares about admitting her children to the kindergarten in the metropolis soon after being bombarded by stories of lurking paedophiles around learning centres. Vandana gave up her lucrative job because she wanted to be at home when her daughter arrived home at noon. She had heard horrific stories of children being administered sleeping pills in their milk at daycare centres. Meera laughingly calls herself the designated chauffeur of her kids because she is always driving them in and out of one class or another.

Lakshmi opted for voluntary retirement just when it was her turn to get promoted, to ensure that she could fund her daughter’s dream to study abroad. Suma, a qualified lawyer, decided to be a stay-at-home mother because she believed in the dictum “Better safe than sorry” (All names have been changed to respect their identities.)

What these young and not-so-young mothers have done for the apples of their eyes, is not unusual. Each of these mothers and several tens and thousands of their kind have been doing more or less the same thing in various capacities. No, they are not cynical or paranoid, they are just being careful. With reason too. We live in a world which is riddled by multiple standards, inequalities in every aspect, uncertainties and incomprehensible expectations. Hence, leading a normal life believing in the intrinsic goodness of fellow human beings is out of the question.

Now is the time for us to rethink our parenting strategies, especially where it concerns the girl child. After all, parenting is called an art and not without reason. We must prepare our daughters to hope for the best but be prepared for the worst right from the moment they arrive in our lives. Here are a few areas that need
serious looking into:

Physical well-being
A taste for a nutritious balanced diet punctuated with some form of exercise should be introduced right from the beginning. When a healthy diet and a physical regime coupled with personal hygiene become a habit, immunity levels will soar, and keeping healthy will not prove to be a challenge. Teaching them martial arts or sports or simply involving them in everyday household chores will help them build stamina and can prove to be a boon in times of need.

Modesty & morality
Modesty and morality should not be mixed up. Remember, being prudish can cost them dearly. They must be taught the difference between good touch and bad touch. Girls should be taught not to be ashamed of their bodies or the changes they undergo. They should be encouraged to spell out their doubts and fears. It will do well to sensitise girls to the fact that the outside world will judge them by the clothes, accessories and the makeup they wear, though character cannot be determined by the length of their sleeves or necklines.

Subjects like virginity, rape, honour, domestic violence, honour killings need not be drawing room conversations, if it feels delicate. All the same, there is no point in sweeping the subjects under the carpet and looking the other way when they do crop up.

Using such topics as a launchpad to clear the cobwebs of a growing mind can go a long way in preventing girls from becoming judgmental. The knowledge will also cushion them to some extent, if they are unfortunate victims of such
circumstances.

Coping with new age trends
Many girls go through a phase in life when they get their facial or body parts pierced or tattooed, when they colour, curl or straighten their hair or undergo cosmetic surgery on a whim and regret it later.

Depriving permission outright may not go well with everyone. So, the stubborn ones can be encouraged to try the temporary option and then if they really care for the fashion, then they can be told to take the plunge.

Being feminine
Girls should be taught to appreciate and enjoy their feminine side. Since we live in a diabolical world, girls can be groomed to be soft-spoken and delicate damsels. So, they should be clearly told that they must not hesitate to protect themselves even if it means biting and kicking the molester on the face, or very simply amplifying their lung power.

Expanding the mind
Encourage your girls to have friends, go out and mingle. While dating or having a relationship is not wrong, they should also be taught when and where to draw the line and how to say no firmly when they feel uncomfortable. Writing a diary or pouring their concerns to an agony aunt can help them ease their tensions. Ask them to be careful about what they post and with whom they share on their social media sites, especially their pictures. With so much cyber crime going on, one can never be too careful.

Memory Vs Photographs


http://www.deccanherald.com/content/595945/photographs-vs-memory.html

Even as I saw the zillionth person clicking pictures or selfies and sharing them relentlessly, I inadvertently stepped into my personal realm of nostalgia. I remember that we did the most enjoyable things around our homes and with our families, but they were rarely photographed. Every evening, my metre-long tresses would be braided into a plait, and a tassel (kuchchu) would mark the end of it.

Long strings of jasmine buds would be woven around it. Once, a special day was earmarked for me to wear a moggina jade (a readymade pad with jasmine buds and an occasional rose fit on the back of the head and the plait). This red-lettered day was preceded by elaborate preparations.

My mom sourced fresh mehendi leaves, ground them into a fine paste, and applied it on my palms and feet before the event. The following morning, I was given a traditional oil bath and the fumes of frankincense were waved over my drying hair to perfume it. Then, I wore the traditional silk skirt, some pieces of antique jewellery, and got ready to get my hair braided and wear moggina jade. After receiving glowing compliments from all our guests, I was relieved of the same with equal care. I thoroughly enjoyed the exercise while it lasted, and have ruminated on it many times over.

As the years rolled by, I used to feel a little vexed with my parents for not having photographed me in my moment of crowning glory. I would be tersely told that the enjoyment was the reward, while photographing it would have amounted to merely documenting it. Their explanation used to irk me all the more because it sounded like a lame excuse for not having thought of it.

I entertained uncharitable thoughts about their miserliness until one day, when a family friend began showing us her holiday album.

The pictures were glossy and beautiful, but the smiling lady who was ever-present in all of them had little memory of the place or its distinction, or even the names of the other members of the group, because she was always grooming herself to look good in the shots.

It was then that I understood the meaning of what I had been told. A photograph of my long braid would have merely retained the visual. I might have been happy and proud of the picture, but might have relegated it to an album and put it away safely.

However, the fact that it was not photographed possibly preserved the memory of the smells and sounds associated with the event.

Surprisingly, quite a few of them who had seen me enjoying my moment in the sun also seem to remember it quite well, and have since shared it with their spouses and children.

It happened long ago. Few people wielded the camera then. Yet, special moments of the privileged were captured on camera. Since they were far and few, they attained the status of precious family and national heirlooms. Today, technology has made photographing a cake walk. However, we must remember that if we spend all the time behind the lens, we may not have memories attached to them when we look at them at a later date. Let us not miss the woods for the trees.

Spirit of Festivals


http://www.deccanherald.com/content/585301/spirit-festivals.html

The Indian calendar has a good number of red-letter days marking festivals of social, religious and national importance. These special days help us to rejuvenate the bonding amongst the people we are associated with on a daily basis.

So, Sankranthi is our friendship day when we distribute sesame seeds and jaggery to seal our amity, Raksha Bandhan rejuvenates sibling bonding, Karva Chauth reinforces marital ties, Navarathri celebrates women power for nine days etc. Besides, each of these festivals serve as renewals as they remind us of the triumph of good over evil. Not to mention the birthdays of gods and feasts to earmark other occasions. In other words, these festivities highlight the significance of forging strong and harmonious bonds amongst family members and society at large.

Festivals possibly gained a lot of importance in the subcontinent because of its multi-dimensional values. We have rituals and worship, family and community bonding, regional and seasonal food carnivals which can be a gourmet’s dream, exhibition of talents by way of fine arts like dance and music on the one hand and arts and crafts on the other. Besides, local economy gets a boost as it encourages people to spend freely and stand them in good stead when they make investments. Moreover, these occasions double up as much-wanted breaks from the daily grind and uplift our spirits.

Our ancestors realised that growing up in a healthy family atmosphere is a must for all individuals. They also believed in leading by example. They were aware children imbibe much more by imitation rather than being preached to. Kids pick up their basic characteristics of caring, sharing, being fun loving, adjustable and understanding in their homes and they learn to cope with jealousy, competition and tragedy amongst their loved ones.

This is a time-tested truth approved by psychologists. It is a proven fact that the people who attach value to the family structure strive to do well compared to their counterparts who think otherwise.

They have a drive to achieve laurels not only for themselves but also want to credit their folks with their accomplishments.

If we remember that each celebration can revive us physically, spiritually and mentally, our lives can become more meaningful.

 

 

 

 

Science Psyche & Entertainment


http://www.deccanherald.com/content/580202/science-psyche-entertainment.html

Of late, people have been getting hooked to horror movies and scary TV serials that have made it to the big and small screens like never before. Modern technology has facilitated these pieces of art into spectacular and stunning bits of entertainment.

Creative directors and story writers are taking advantage of this provision. So now we have snakes slithering into the bedrooms, fires emanating from water, lemons morphing into ferocious animals, earth cracking under ones feet, spirits, goblins and ghosts rubbing shoulders with their mortal kin, occult, black magic, voodoo among other things.

Subjects like life after death which was in the realms of theosophy and philosophy have been given a new lease of life by being introduced into the story line. So now we have a series of “murdered characters” flitting about as enraged or morbid souls in finery seeking revenge by entering the bodies of their erstwhile enemies.

For good measure, they also settle other minor scores giving scope for eerie humour. These stories which made the rounds mostly on late night shows have been gaining visibility even during the day. The escalating TRPs are proof of their popularity.

What is more interesting is the fact that modern science has facilitated the access to these unfounded, medieval, dark age stories and belief.

In other words, poppycock nonsense has regained its past glory by the very science that was used to expose it. The most bizarre ideas are translated into the visual medium by intelligent minds who know how to wield the essential equipment. Truth be told, they are doing a splendid job.

On the one hand, this trend speaks of the might of human intelligence which is able to cater just about anything that is demanded of it.

On the other hand, it is a little frightening to know that people who do not exercise their grey cells are lapping up the farfetched stories of another era which were retired as redundant, obsolete and illogical. It is when viewers start attaching value to it beyond the entertainment quotient the trouble begins.

There have been news stories about audience responding to this genre of entertainment in hitherto unheard ways. The first category of people get inspired by what they see. They utilise their limited knowledge and make use of horror to derive some thrill by frightening their friends and enemies out of their wits or skins. The other category is the typical hero worshipping admirers of the subcontinent, who do not mind throwing away their personalities and sometimes even their lives in the name of adoration.

Scientific temperament

They are the naïvetes who start believing and imbibing the various concepts and ideas that are presented to them. They lose track of their scientific temperament and never care to verify the truth before communicating the same to others. It is alarming to know that a large section of population who belong to this category happen to be women and children who may or may not be educated.

It is ironic to note that the very science that was/is used to enlighten the human mind and help it overcome baseless fears, superstitions and beliefs is instrumental in worming into our wisdom.

While there is nothing wrong in using science to aid creativity, one must also curb the tendency to spread irrational thinking in the name of entertainment. The intelligent brains that come up with exotic and innovative ideas must also keep in mind they are indirectly responsible for shaping the minds of their consumers.

They must remember that people like to copy, adulate and emulate what fascinates them. Statutory warnings or censor boards can be inadequate in stemming the possible damage to the human psyche. Hence, it becomes the sacrosanct responsibility of the ingenious ilk to use their expertise judiciously.

Technology has come a long way and shrunk the world beyond imagination. It has made the world closer and sometimes closed as in the present case. Today, more than ever before, we must ensure that the role of science makes a positive impact on modern man’s life.

Science should be  used to open up minds to newer possibilities because it can sustain, empower, help us evolve and emerge as better people or very simply decimate us to being mere mindless zombies who stop living and start existing.