I had the privilege to Handcraft the dress and accessories of Goddess Vasavi Kanyaka Parameshwari. The idol in the sanctum sanctorum was adorned with the same on FRIDAY THE 8th of FEBRUARY 2019
Published in EDUVERSE- JNANADEGULA special supplement of DECCAN HERALD on Saturday 26th May 2018
By S. RADHA PRATHI
Well, the students of the present day can dare to dream and transform their passions into their professions. If you are the kind who has not spent a day of your life without watching animated cartoons and similar shows, and have ruminated on the details and have mentally added variations to the show, you might as well consider making a career out of it.
Those of you who have creativity in your beings and have completed their board exams at the tenth and twelfth standards and have a flair for drawing can explore the world of animation through structured study. Once the basic requisites are ticked, you will need to check on your working knowledge of English, that is because, it happens to be the medium of study. There are several institutes in all the major cities of India like Mumbai, Chennai, Bangalore, Hyderabad and Trivandrum have emerged as the country’s major animation hubs which cater to the specific needs of these students for a period of six months to eighteen months depending on the module chosen by the student.
If you want to do a full-fledged undergraduate course, well, options also exist both in our country. Students have to attend a basic entrance test that checks their English language skills and arithmetical ability. A group discussion round evaluates their ability to think differently and creativity. The candidates who clear these rounds are admitted to the course.
Students who join the course will be led through the fundamental aspects of animation like using computers, drawing, sketching, model making and film making. They will be exposed to the history of the subjects and worldwide samples of classical and innovative animation. Slowly and surely the students will be taught and guided through several projects both theoretically and practically till they become industry ready.
Animation techniques are incredibly varied and difficult to categorize. Techniques are often related or combined. Hence the project guide of the individual student or the group takes up the responsibility of going that extra mile to help any new technique that the student may like to experiment with.
At the end of even the shortest course the institutes make sure that the students are familiar with the basic concepts of animation by making each student submit a project in place of exams. This frees prospective employers of these students of anxiety because the fundamentals imbibed during the course will help them to learn any new technique that they may have to use later on while on the job.
It is interesting to note that these students are picked up by experts and moguls in the field well before the completion of their courses as assistants and interns.
The world has realised that India has yet another talent for animation and its rich history culture and mythology has a lot more in store for the world than the eye can see. The runaway success of animated shows of Chota Bheem, Hanuman, Tenali Raman and Krishna among others has rejuvenated a renewed interest in India. The Indian films with their special effects have not been missed by the discerning eye of the connoisseurs of the art either. This global recognition has led several Indian entrepreneurs to make mileage of the situation and as a result we have several reputed institutes like, MAAC, Arena, ANTS, Animaster, Toon School which have carved a niche for themselves in a rather short period.
Most good schools of Animation have a state of the art infrastructure, with an ultra modern production theatre with the latest equipment. The fact that the titans of the industry like Walt Disney, Imax, Warner Brothers and Sony are signing up huge contracts with Indian animation companies speaks in volumes of the impending boom in the industry.
The time has come when it has become essential for parents and teachers to analyse the latent potential of children who fill up the last pages of notebooks, their desks, the walls in their arms distance and any other canvass within their reach with sketches and doodles of incomprehensible characters. Perhaps it is time to analyse the minds that expend undue interest in cartoon shows and animated games with renewed interest and awaken the budding animation expert in them.
Multimedia in Animation:
Animation has brought many imaginary characters and stories to life. From Mickey Mouse’s endearing antics to Lara Croft’s edge-of-the-seat adventures, generations have grown up admiring this magic. In India alone, 300.000* professionals by 2008 are expected to be employed in the animation Industry. Animation Application Areas include Entertainment (Movies, Television). Business (Marketing Demos, Product Promotions), Sales (Presentations), Education (CBTs/WBTs), Tourism (Kiosks), Publishing (Graphics & Printing), Web Design, Virtual Reality for Simulations in Defense, Engineering. Advertising (Commercials, Print Ads), Interiors and Fashion Design.
- “Animation is the rapid display of a sequence of images of 2-D artwork or model positions in order to create an illusion of movement.” In other words drawings and sketches are mobilised using technology to give it the feel of movement.
- Students are given a lot of practice in drawing and sketching which is technically known as 2D skills. As the student progresses he or she is introduced into skills of visualizing and mastering 3D Animation, besides learning Character Design and Morphing.
Published in EDUVERSE- JNANADEGULA special supplement of DECCAN HERALD on Saturday 26th May 2018
By S. RADHA PRATHI
The air in the higher education scene is certainly undergoing a subtle change, if the recent response to the results of CET is anything to go by. The reaction of the students of second PUC who have taken up the exams has been surprisingly lukewarm, considering the fact that it had been held a sacred ritual for every student of science for almost two decades. Apparently there is more to it than the eye can see at the outset. Though the confusions and pandemonium connected with the examination in the last two years or the reservation policy appear to be the obvious culprits there are other latent factors that are working on the minds of the Indian populace.
Even as early as the last academic year the educational system represented by the colleges followed the unwritten rule of taking students with a high score into the science stream and phasing out to the commerce and arts streams respectively as the total marks of the board examinations tapered down. The parents and students accepted this unwritten dictum and tried very hard to get into the sciences to prove their worth. The student tribe as a race flinched at the idea of taking up arts as they fear that they may not be respected in their peer group, especially in the urban areas across India. Well they cannot be really blamed for their conviction because an invisible and unlabelled stigma has been attached to the subject.
While the commerce stream invariably took the middle path and played it safe, it has been the arts stream that has been bearing the brunt of it all except in a few rare cases. If a brilliant student chose to study arts in the past he invariably aimed at taking up the civil service examinations. Then there were others who took pride in obtaining and honours in BA in the past, but the mediocre students pursued the same to embellish their names with a degree which could be obtained without much strain.
A study reveals that on an average in India, the arts stream has an astounding number of female students the ratio showing almost eight girl students for every two male students. Most of these graduates in arts have been showing a leaning towards teaching or have reclined back in the glory of just being a graduate. Even those who pursue their higher studies through distance education show an affinity for the arts as it facilitated self study and gave them scope to answer the papers in the vernaculars. Usually, students who choose to take up under graduate and post graduate courses through correspondence courses opt for arts to serve their purpose of completing a degree course.
The mindset of the regular students of the undergraduate courses in the arts stream did not reveal a very different tale. In fact when several lecturers and heads of institutions were asked their opinion on the arts courses they were certainly not ecstatic about it. They unanimously opined that only the dregs of very academically poor students take up arts and this trend has eroded the interest of both the teachers and the students over the years.
Even the best of colleges revealed that barring a handful of sincere students who were passionate about their subjects the rest of them took it for a lark. It appeared that the students who dappled with combinations that highlight the study of literature in several languages, journalism and psychology were considered to be more astute among others who chose the customary combinations like political science, sociology, History etc.
Of late there has been a noticeable change in the attitude towards studying arts at least in the urban sector. It is important to note that this trend is catching on only among the elite and intellectual urbanites who have had an international exposure. The rest of the brethren are pursuing the course because it is cheaper, easily available, can be pursued with or without guidance and most importantly as everyone consulted on the issue chimed in that one does not have to study the “dreadful subject” called mathematics.
The present craze to pave way for a budding career in the arts stream should not be misinterpreted for lack of opportunities in the past. One glance at the subjects and several combinations offered by the PU Board of Karnataka and various universities in the state reveals that there has been absolutely no dearth of subjects right from day one, but colleges that came under their wings never risked to experiment beyond one or two common combinations.
However of late this trend is undergoing a gradual change as more and more enterprising and gifted students are aiming at becoming Art Historians, Archaeologists, Theologians, Anthropologists, Curators, Copy Writers. The colleges in the state are recognizing the need to cater to the need of these aspiring students as a record number of application forms have been filled out for these courses in almost every college.
At present the serious students of arts are migrating to America, Australia and England to follow their dreams. Some of the students who have dared to tread the “untrodden path” have found that it is not only “Cool” to study Arts and if pursued in right earnest it can woo a lot of “Hot” money too. Go take a plunge if your heart beats for the arts.
The sari is one of the most elegant pieces of clothing. It is versatile and can be passed off as both a traditional and modern artefact. Saris have been recycled many a time to serve different purposes such as creating different outfits or home decor essentials. In a day and age of creativity, innovation and sustainability, it is only befitting that we recycle and create wealth from waste. Thereby, what better way to than to use old saris to create innovative decor pieces.
Many, many uses
For a Victorian look for the windows, weave a pleated chiffon sari along the curtain rod lengthwise. Adjust the length of the sari so that it falls equally on either side and fasten it with a clothespin. Then, equalise and ease out the curved portions in between and pin them firmly at the back. Make corrections where the proportion is concerned.
Make fancy string curtains using colourful synthetic saris. Cut them into strips of about four or five inches wide and picot the edges. Then use a double thread and sew through the centre using a simple running stitch. When you reach the end, push the cloth back gently and allow it to twirl around till it achieves the floral garland look. Then knot the stitch to a close. Keep attaching strips till you arrive at the desired length. Attach a loop at one end for it to slide across the curtain rod. When the stitches are equally spaced and considerably closer, the results will be better. You can play with colour combinations if you’re planning to use a number of saris in the project. You can hang them up as borders of your regular curtains, or hang them all at equal intervals at doorways and open windows.
Make your own fancy foot rugs, telephone mats and table mats by cutting a sari lengthwise into three parts. Picot the edges, place the three pieces one over another and stitch them firmly at one end, and plait it all the way until the end. Stitch the plait close by placing the three pieces one over another. Coil the plait in the shape of your choice and glue it on to a Rexine sheet of the same shape.
You can also create your own corner table using a spare cooking gas cylinder. Make a skirt of the unused saree and drape it around the cylinder and conceal its neck as well. Place a large brass or fibreglass tray on top of the cylinder. One can also use cotton saris for the all-purpose cloth in the kitchen. One simply has to convert them into little-pleated skirts. Attach a Velcro to one of the open ends and fasten them in places you might require them in.
Every festival is celebrated with grandeur in our country. So isDhanur maasa which falls between December and January. The south celebrates this season both spiritually and musically.
One cannot miss the mellifluous music that rise from our temples early in the mornings.
Sabhas and music halls compete with each other to provide a stage for both the established and upcoming artists alike. Similarly, one can not miss the art of rangoli/ kholam designs either, which are drawn in front of homes at the crack of dawn.
These days one sees them drawn out even in apartment complexes and gated communities. Some commission rangoli artists in their social circles to draw different rangolis for each day of the month.
If you are wondering what is special about Dhanur Maasarangolis, VR Bhat the Archaka at the Ganesh temple on New BEL Road explains, “Ideally a rangoli should be drawn in front of homes every day, except when the household is mourning. Creative and colourful rangolis can earmark special days in the family and festivals. Patterns based on dots, instil a sense of harmony and connectivity.”
Dr Shatavadhani R Ganesh explains the origin of rangoli, “What we call rangoli today, has its origins in the Sanskrit word Rangavalli. It means creeper-like lines on a stage. They have been a part of Indian art and culture ever since Vedic times and have been used as embellishments and as an expression of aesthetics and faith.”
On the origins of this art, he says, “The lines are blurred between the classical and folk form of the art, leaving us guessing. The geometric Mandalas of Vedic times paved the way for some of the Rangoli patterns drawn to this day.”
The constellations with their relationship to the cosmos, the power of the forces of nature have been symbolically, geometrically and graphically represented as a rangoli, which are also called Yantras.
Sheela Sankaran, a student of Indian Art and Aesthetics, Mumbai University notes, “The Margazhi month in the solar calendar has been earmarked for the art because south India is at latitude of 32 degrees from the Equator. Since this solstice brings the earth closest to the sun, our ancestors decided to highlight the season by infusing music and art in the Rangoli form to celebrate the season.”
It is heartening to see that a few homes in our city still draw out these intricate designs in front of their homes.
Syamala Subramaniam, a 77-year-old home maker reveals she has “not missed drawing a kolam outside my home since I was seven. I enjoyed making huge designs as I had time and space. Ever since I shifted to Bengaluru, my rangolis have become smaller.”
Denizens of Namma Bengaluru are treated to dollops of street art every now and then. More recently, the painting of a swimming pool in and around a large pothole captured a lot of attention. The painting seemed to come alive when somebody captured a realistic snapshot of a random pedestrian trying to step in gingerly into the painted waters holding the bars of the ladder and uploaded it onto social media.
The picture sent me on a nostalgic trip down the busy streets of our city a couple of decades ago. Just about every Saturday, a couple of kids would appear at around 4 pm with brooms and fine brushes. They would clean up a patch of the ground measuring the size of a small carpet. An hour later, their master would come and quickly draw the border lines without using any instrument. Charcoal powder or white rangoli powder would be evenly spread on the floor. Then the master would draw another border around it.
Within a matter of an hour, he would be going round and round drawing the outline. Gods and goddesses from the Hindu pantheon would emerge magically as he deftly coloured and gilded their ornaments. Once done, he would rest on the platform with his young companions, waiting for the footfalls to linger there. The public would offer prayers and place a coin carefully along the demarked borders before proceeding.
For kids like us, it happened to be the staple weekend all-round exposure to the arts, culture and resourcefulness. No one, except an occasional gust of wind or a spell of rains, would disturb the work of art till it earned bread for its creators until the next weekend.
These artists, though torn apart by time and space have managed to strike a chord and have warmed the hearts of many who have been exposed to their works. They have managed to make us not only appreciate their work but also reflect on it, even if only momentarily. These artists who unleash their creativity with confidence and Ã©lan silently remind us how a piece of fine art can warm the cockles of our heart and ruminate on matters beyond the mundane. They serve soups to our souls and hence it becomes our moral responsibility to sustain them and their art. For art is long and life is short!
Perhaps, this is what Khalil Gibran’s meant when he said:
“And if there come the singers and the dancers and the flute players – buy of their gifts also.
And that which they bring, though fashioned of dreams, is raiment and food for your soul.
And before you leave the marketplace, see that no one has gone his way with empty hands.
For the master spirit of the earth shall not sleep peacefully upon the wind till the needs of the least of you are satisfied.”
Did you know that the showcase that adorns your living room is perhaps one of the features that is almost never missed by your guests and visitors? They pay special attention to the showcase because they are aware that it is the hotspot in the house which conveys a lot about the residents.
The trophies that assert one’s success, the souvenirs that stand witness to your travels around the globe, the antique piece which speaks about your aesthetic inclinations, the family heirloom that display your affection for your grandparents and so on and so forth, jostle with one another and proclaim your collective personalities as a family.
It is true that all of us who have arranged our showcases must have spent some time giving it our thoughts and exercising our creativity. However, we may have noticed that not all of them are always appealing or exotic. This does not for a moment mean that your stuff is not good enough nor does it mean that your showcase has become redundant. All the same, the lacklustre aspect could be attributed to several reasons.
For one thing, it may have collected dust and grime. Otherwise it could be overcrowded or sparsely filled up. Sometimes, we leave essentials like keys, bills, torches, money, matches etc in some section of the showcase for easy access, not realising that they could be an eyesore.
If you think that the above reasons are not applicable to you perhaps, you have never changed the arrangement over the years, giving it a sense of predictability, which will fail to garner the attention of your visitor. So, here are a few tips that will ensure that your showcase attracts renewed attention:
Remove all the contents of your showcase and clean them thoroughly.
Clean the showcase and the covering glass using soap and water. If the walls of the cabinet have yellowed or scaled due to age, rub the surface with sandpaper and scrape it completely.
Get a small quantity of white acrylic paint and colour the insides. If your cabinet is made of wood, a coat of ready-made wood polish will do the job.
Check if you have one too many articles that will look good when hung. Take stock of the number and fix little sticks on hooks (easily available in the market) on the ceiling of the partitioned area.
Sort out your showpieces either in terms of size or theme. If you are the sort who likes to rearrange memorabilia time and again, it will be a good idea to stick to a theme. On the other hand if you want to take things easier, identify a few things that you always want to display and change only the other items from time to time.
Make sure that all the unsightly wires that run through are carefully stapled and hidden away.
Toss in a few pieces of camphor in every shelf to keep it pest-free and fragrant.
Use an old newspaper to wipe the glass clean from both sides before sliding it over the showcase. Make it a point to wipe the glass clean at least once in a fortnight.
Repeat this exercise and bring variations in the display once in every three or four months.
Do not place damaged pieces, picture postcards or family photographs amid other things, unless it happens to match the theme.
It so happened that a polyglot visited the court of Sri Krishnadevaraya. He told the king that he could read, write and speak impeccably in 18 languages. He challenged the scholars of the court and asked them to identify his mother tongue.
Scholars in various languages were summoned and were asked to hold a dialogue with the guest. Each one of them had a personal interview with the said scholar. They found for themselves that the multilinguist was claiming nothing but the truth. Yet, the challenge was a matter of prestige to the reigning king. He turned to his intelligent court jester Tenali Rama to find a solution.
Accordingly, Tenali Rama waited for the scholar to retire for the night. When the polyglot was in deep slumber, Tenali Rama threw some cold water over him. Almost immediately the shocked sleeping man awoke and shouted. “evarura waadu?” Tenali Rama sneaked away from the scene only to tell the king that the mother tongue of the scholar happened to be Telugu.
This little story is a pointer to the fact that no matter how many languages we might learn and master in life, our mother tongue stands supreme and foremost for it is embedded in our psyche ever since the day we are born.
We learn our mother tongue from our parents and immediate family and neighbours in the aural or shravana mode. We are never sensitised to any aspect of grammar when we learn our tongue. We grasp aspects of syntax, vocabulary, grammar and pronunciation merely by being exposed to it day after day throughout the formative years of our life.
Despite all this, most urban Indian children have lost sight of their mother tongues. Mixed marriages, nuclear families, the need to study in schools of different medium due to relocation of families from their native places can be identified as root cause of this trend.
India is a country of several such languages, most of which are still alive. We can interpret our glorious literature, tradition, culture, arts and architecture better because they share an invisible link with the associated language. A little effort and utilisation of modern technology and media coupled with human effort can keep the link to languages alive and pass them on to posterity.
A lot of us feel that if we are not in vogue for whatever reason, we become vague. Hence a lot of time, effort and money are invested so that we do not become outdated in the stylish world. In other words our passion for fashion is perhaps as old as civilization itself. A close observation of the happening trends around us will reveal that the so called seasonal look had existed in the past partially or in a consolidated manner somewhere, sometime. What we have presently done ( I mean at all times) is rediscovered the quaint old charm and fit it into the present to serve our social ethos and emotional satisfaction.
An honest dekko at the history of fashion across the world will assure us that hemlines and necklines regularly wax and wane. The length and width of our sleeves and trousers lines seem to be strangely guided by tidal waves. The colours of the rainbow bracketed by black and white enter and exit in turns assuming all the shades in between. Florals, stripes, polka dots, checks, animal and ethnic motifs wait in the backstage ready to take their turns on and offstage. Experts and the experienced will vouch for the fact that most patterns of different phases of life are essentially cyclic by nature. The world of fashion is no exception to this rule.
Accessories that go with our clothing range from subtly accentuating what we wear on the lower end of the scale, while, they sometimes seem to displace clothing by making a statement loud and clear. Our hair nails, skin tone, colour of our eyes, shape of our body and facial features have been subjected to dreadful disciplines to stay topical.
Now let us go through a fun exercise of keeping up with the trend in some random aspects of fashion. Then we will also see a parallel of the idea which existed in the past.
The double French manicure is nail the latest trend in nail art. The experts in the field do a thorough manicure and paint the nail in such a way that the upper portion of the nail is coloured in different stages of crescent moon, in various shades of sunrise.
Those of us who have had the experience of having applied Mehandi on our hands inclusive of our nails will vouch for the fact that while the pattern on the skin will fade away in a week’s time, the nail will retain colour till it outgrows our fingers. So all of us the average south Asian woman, who sported orange crescents of different proportions were way ahead of time because we have already been there and done that.
Flip a women’s magazine over, you cannot but stop to admire the pretty ladies in their finery. These are days of mix and match. Different coloured and patterned cloth is ripped into strips and then stitched together to form a fabric. Then the self made designer cloth is cut to make exotic clothes for that vibrant ethnic look. People are ready to bleed their purses to possess one such work of art in their wardrobes.
Now, a little flashback, or a random flipping of channels will remind us that nomads and gypsies used the very same technique precisely for the same reasons. Those who considered themselves to be civilized copied the art and took to quilting in the big way, only to furtively work their way back into clothing.
The most modern of them all, follow this unisex trend of doing away with wearing socks. It makes a lot of sense because we are becoming a hotter planet. Besides our shoe designers are working day and night to provide us with shoes that breathe and work hard to keep our feet from stinking. Those who cannot shed the “socks habit” are surreptitiously using ankle socks and tucking in the visible part only to look trendy.
When the sun did not set on the British Isles, the colonies in the tropical countries were enamoured by the booted looks of the White man. They took to wearing shoes and half shoes sans socks, for two reasons. One, the socks was totally unfamiliar to their culture. Two, the oppressive heat made them omit the appendage.
HEAR HEAR ABOUT THE EAR
The affected young ladies of the west have declared that cuffed ear rings that hug the contours of the ear line happen to be the trend of 2016. Any material under the sun from seashells, to paper, to flowers, to plastic and precious metals and gems have been experimented to give that classy look.
Piercing the contours of the ears and wearing delectable accessories is not an alien concept to us south Asians. Our timeless jewellery boxes which house these striking trinkets can make the just born collection of the west fade in comparison.
Men and women, who have been born with joint eyebrows, can save a pretty penny this year because, sporting a Unibrow, happens to be the in thing these days. Beauty parlours all over the world are wishing for this trend to go away because the numbers that come to correct their brows are dwindling. People are encouraging hair to grow between the brows and sometimes clipping on a tiny tuft to bridge the gap.
A trip down the memory lane will remind us that the artists singing the Qawwali, especially the women would use an eye pencil to draw a line between the brows to give them that distinguished pretty look. The trend would ensure that the beholder rests his or her eyes On the bow like brow of the person. It was a show stopper even then.
Time stands testimony for the fact that women have manipulated their crowning glory to the point of horripilation by curling or straightening it, perming or colouring it, cutting it or growing it and then tried every tip in the world to keep it clean of dandruff and lice and save it from having spilt ends or simply falling away from our scalps. We plait it, put it up in a bun or very simply let it down when we don’t try out exotic hairdos. The fairer sex of another time and place precisely did the same things with their manes using different implements, chemicals and ecofriendly products. For example Remember how the entire nation gasped when they saw Meena Kumari in an atrocious orange wig signifying the extensive use of henna?
Men with long hair, sometimes worn in a pony tail or as plait are considered to be the prototypes of the quintessential cool man. Men have worn long hair ever since Paleolithic days. Gods, kings and common man alike have worn their hair long without being rebuked or commented upon. Long hair among men has been considered as a symbol of power and strength. Can you think of a single god in the Greek or Indian pantheon with short hair?
SWEEP BACK OR SPIKE THEM
The hair gel perhaps sells by the pints because fashion conscious youth across the world cannot do without them. It is certainly fun to see them sweating over the stuck up look when our rural brethren manage to arrive at the same look with a tablespoon of castor oil. To be fair to the “gel”, we must admit that it comes in a variety of tantalising and soothing aromas.
Flowers, leaves and sprouted cereals are doing the rounds on the latest ramps across the globe. Fashion Gurus gather the beauteous bounties of nature and fit them out as accessories like finger and ear rings, necklaces, bracelets, hair bands and sometimes as items of clothing when they weave a casual sarong or a sash with natural leaves and flowers to accentuate that green look.
The costumes of traditional Greek, Hawaiian and belly dancers and many varieties of folk dancers across the globe cannot be considered complete without floral garlands and tiaras Any Indian who is exposed to this genre of vegan jewellery cannot but recollect the classical looks of Sita or Shakuntala bedecked with floral jewellery.
Carolina Herrera once said, “Fashion has always been a repetition of ideas, but what makes it news is the way you put it together.”Truer words have not been spoken.
3rd September 2016
One cannot simply miss the terracotta images of gigantic Ganeshas peering through transparent polythene sheets serving as rain protection, lining the highways leading to the city and the main market places. Smaller versions of the lord and his mother goddess Gowri flank the bigger images. It is interesting to note that quite a lot of them are in earthy colours, with a glint of gold in places. They have been made by conscientious artists and will be bought by likeminded devotees whose hearts beat to the rhythm of nature. The online portals and niche studios that make and sell eco friendly Ganeshas had their order books completed several weeks ago. More and more people celebrating the festival publicly and privately are clearly responding to the cause of mother earth. It is heartening to note that little communities and social groups are coming together and working on sustainable solutions that can take care of the disposal of festive waste and the customary immersion of the idol post festival without wreaking havoc on our already overburdened lakes and ponds.
Well begun is half done! Looks like years of green campaign by the earnest are beginning to bear fruit albeit sporadically. The recent rains which flooded our cities over have also given a very clear signal that if we fail to take cognizance of violating the basic rules of nature, we must also be ready to face nasty surprises.
For those of us who are still not very convinced about all the furor over using idols that have been fired and painted gaily in toxic colours, we must realize that these idols run colour for a long time. The chemical nature of the dyes used may dissolve in water but not before first polluting it and taking a toll on the life of the fish and other creatures in the tank. Then the idol will take an extremely long time to disintegrate and disperse in water. Even the idols which use coir or hay as skeletal system to give it shape take quite as long too. The residual clay will enhance the silt layer of the water body. It will in turn enhance the height of the lakebed and become instrumental in rising water levels and consequent overflow of water during rains. Then there will be really no point in wondering how, the very Ganesha whom we worshipped reverently made life miserable for us.
An episode from Nilakanta Vijayam underlines the importance and divinity of eco friendly worship. Indra the lord of gods never failed to venerate the deities at the dawn of each day. He would complete his ablutions and then collect a handful of fresh flowers before making a beeline to the banks of the celestial river Ganga in the heavens. Then he would carefully select a couple of rounded pebbles for worship, clean them thoroughly and place them on the sands along the rippling waterline. Then he would offer his prayers and floral tribute reverentially to those little stones (saligrama). Once done, he would return the pebbles to the water, (quite on the lines of how we immerse Ganeshas today) and go his way only to repeat the process the following day.
Now Indra the lord of Gods as we all know had everyone and everything at his beck and call. If he wanted to, he could have availed the most precious of resources to conduct his daily worship. Nevertheless he chose to pick pebbles from the river and return the same to its source the very same day. By doing so, he ensured that he did not disturb the natural order of things to display his devotion or faith. When the lord of gods can abstain from exploiting nature to express his faith, can we not?
This year around, let us ensure a pollution free Ganesha Chathurthi, filled with faith and lots of fun and the one that we will remember to be a model worth emulating in the years to come!